Between the walls of the Wellwood sheep kraal stands a small gabled building that has had more than one life. First it was the farm dairy. Later it was transformed into a home for the remarkable Rubidge Fossil Collection. And now, Anika Lötter is at work here.

For decades, the old Dexter dairy held Sidney Rubidge’s fossil collection. Its glass cabinets were filled with hundreds of skulls that drew scientists and visitors from around the world.

After almost a century of being curated by four generations of Rubidge farmers, the fossils have now been moved from Wellwood to Karoo Origins – The Fossil Centre in Graaff-Reinet. There they continue to tell the story of how a farmer’s discoveries changed our view of prehistoric life.

The purpose-built display cabinets, lined with red felt, remain on Wellwood. But what they hold now is different.

At her bench, Anika works with a small blowtorch, heating and shaping brass, turning it carefully with a pair of tongs. She wears a leather apron, bent over her work. Files and pliers lie within reach, alongside a chisel and saw.

Around her are her materials: a lock of mohair, a twist of wool, pieces of rock and wood, seeds, scrap metal. Behind her, her work rests in the old glass cabinets. A playlist runs quietly; through the window, a flock of merinos moves towards the kraal.

In 1956, Sidney Rubidge, farmer turned fossil-hunter, wrote, “Possibly the first impression a visitor would obtain of my little ‘museum’ is the sheer incongruity of its very existence on a Karoo farm, where normal activities concern themselves with the breeding of merino sheep.”

For Anika, the little museum belongs here.

The young jewellery and textile designer married into the Rubidge family a year ago. Her husband Richard – great-grandson of Sidney – is the sixth generation to farm Wellwood.

Her own story goes back to a mohair and wool farm near Pearson in the eastern Karoo, where the Lötters have been farming for seven generations. “It sounds like a long time,” she says, “but here it isn’t. Not if you consider that the fossils in this area date back 250 million years.

“When I was a little girl, my dad would take me out for drives in the veld. He’d show me the plants the animals like, the sweet ones. Riding on horseback, I would help bring in the sheep for shearing. I’d hear that we need rain. My sister and I would play in the river and make vases from clay for our boma, decorating them with grasses.”

It feels natural that a child of the Karoo would go on to create from it. After finishing school in Bloemfontein, she studied visual arts at Stellenbosch University, where her interest in Karoo materials began to take shape. “While I was studying, I started working with natural elements from the Karoo and became interested in the fossil history of the area,” she says. “The more I learnt, the more my idea of time and place began to shift.”

She completed her master’s degree in 2024 and returned to the Karoo, settling into the old fossil museum on Wellwood. The connection was immediate. “It felt like a full-circle moment.”

Her work follows what is available. Wood, shale, wool, plant material – things gathered from the farm and the surrounding veld. The pieces are shaped by the material itself, its texture and structure.

“It matters what we choose to make things from,” she says. “It changes how we relate to what we wear and how we think about where it comes from.

“I love the way natural materials hold memory and tell stories. The grain in wood records how it has grown, the crimp of wool is a diary of the animal’s health.”

What she creates shifts with the landscape. Scorching summers leave the veld dry and stripped back. Rain brings colour. Wind carries seeds and cat’s tail grass that catch in the wool of the sheep.

“There is a deep sense of time here,” she continues. “You realise the landscape has been here long before you. I like that feeling.”

Anika believes we can choose which materials we work with, what we wear. “In today’s industrialised world,” she says, “there is something very special about creating things out of slow material in an ancient place like the Karoo.”

She is currently working on a new collection, more colourful, more wearable, with a strong emphasis on weaving and craft. It is a new body of work for a little museum that once held the story of the ancient Karoo, and now continues the story in a different way. 

The post Art from an Ancient Past appeared first on Stellenbosch Visio.

PROJEKT. OPENS DESIGN STUDIO IN STELLENBOSCH

Projekt., a new interior design studio and showroom, has opened at 5 Ryneveld Street in Stellenbosch. Offering an integrated approach to residential and commercial interiors, the studio guides projects from concept and planning through to sourcing, installation and final styling, all within one collaborative space.

Designed to streamline the creative process, Projekt. allows clients to explore materials and finishes, develop mood boards and work directly with designers under one roof. With a focus on thoughtful layouts, layered interiors and timeless materials, the studio is a fresh addition to Stellenbosch’s evolving design landscape. 

LA PETITE FERME WELCOMES CHEF RICHARD CARSTENS

La Petite Ferme has appointed acclaimed chef Richard Carstens as its new head chef. Richard brings a wealth of fine dining experience and a signature modern French style that is rooted in seasonal, locally sourced ingredients. He joins from Arkeste, where he earned three stars at the 2023 Eat Out Woolworths Restaurant Awards, following an award-winning tenure at Tokara Restaurant.

Set above the Franschhoek Valley, La Petite Ferme is one of the Winelands’ most established destinations, known for its blend of hospitality, wine and country cuisine. Carstens’ arrival signals an exciting new chapter, with his first menu set to showcase a refined, ingredient-driven approach, paired with the estate’s wines.

A LANDMARK BOTANICAL ART COLLECTION LAUNCHES

The Stellenbosch University Botanical Garden launched its first permanent art collection, the James & Shirley Sherwood Botanical Art Collection, in May 2026. Housed in the garden’s historic office building, the collection brings together works by leading and emerging South African botanical artists, with a particular focus on rare and threatened species.

Blending art, science and conservation, the initiative aims to deepen public appreciation for the Cape’s rich botanical heritage while raising awareness of the urgent need for preservation.

Developed from the garden’s annual botanical art exhibitions, the collection is closely tied to its conservation work, which includes more than 200 plant species at risk of extinction. Many of these are seldom seen in the wild or lie dormant for parts of the year, making the artworks a lasting record of their form and seasonal beauty. The project also supports the next generation of botanical artists through mentorship and access to rare plant collections.

FJÄLLRÄVEN OPENS IN THE WINELANDS

Swedish outdoor brand Fjällräven has opened its doors in the Winelands, bringing its signature blend of Scandinavian design, durability and sustainability to the region. Best known for its Kånken backpacks and hard-wearing G-1000 jackets, the brand offers a curated range of apparel and gear designed for both outdoor adventure and everyday living.

Rooted in functionality and timeless design, Fjällräven’s collections are made with longevity in mind and are equally suited to tough mountain trails and simple weekend escapes. The new store, located at the Winelands Square shopping centre in Paarl, introduces the brand’s understated aesthetic and practical approach to outdoor living to the Winelands.

The post Winter News & Reviews: Part 1 appeared first on Stellenbosch Visio.

WISH YOU WERE HERE was founded by sisters Nicole and Michelle Greeff. Both have marketing degrees from Stellenbosch University and their shared love of travel and collecting souvenirs from each destination sparked the idea for the brand. Inspired by the nostalgia tied to their journeys, they began creating their own souvenirs with a South African twist.

“After our studies, both of us travelled and began collecting souvenirs wherever we went, from a ceramic tile in Portugal to an I Love Uluwatu mug,” says Nicole. “Some were undeniably cheesy, others genuinely special, but all of them held memories of a place and a moment in time.”

They wanted to move away from the familiar concepts of fridge magnets and keyrings, creating souvenirs they would not only want to buy and collect, but also wear themselves. “We wanted to create pieces that feel special, but also playful and fun. We drew on the nostalgia of the classic ‘I  NY’ souvenirs and reimagined them through a South African lens,” says Michelle.

Cape Town was a powerful starting point for them, but never a fixed reference. They agree that the city’s rhythm – vibrant, bold, playful and full of contrasts – shapes how they think about their designs. “Our collections are intentionally fluid; they’re snapshots of a moment lived in South Africa.”

Working with a local Cape Town team and mill for all their fabrics allows the sister duo to stay close to the process and responsive to change. “I think we tried on 50 shirts and drove to the fabric mill and back more than 50 times before we found the perfect fit,” says Nicole. “All our pieces are designed for an audience looking for something considered, wearable and current. We wanted the marketing to echo that same energy: fun, quirky and bold.”

As sisters building a new brand together, Nicole and Michelle have been creatively in sync for as long as they can remember, with their ideas, tastes and curiosities naturally overlapping. Working together has always felt inevitable. “For years, we dreamt of building something of our own, where our creative juices could collide. What we’ve created through Wish You Were Here is fun and exciting, and exactly what we’ve always dreamt it would be.”

Their ideas start simply, from scribbling on a piece of paper to refining concepts during a walk after their nine-to-five jobs. These brainstorming sessions, however, reach their peak once their community joins in. “We’re big believers in collaboration, so we rope in friends and creatives we trust. You can’t build something meaningful on your own.”

Looking ahead, Wish You Were Here aims to become more physical and experiential, ultimately creating its own presence in Cape Town that feels as personal as its founders.

“We want to exist where people are having the best time of their lives: at a party, walking down Kloof Street, sitting at a favourite spot with a glass of wine, going for a swim or exploring the city. Our goal is for both tourists and locals to buy a Wish You Were Here piece in a moment they want to remember – a souvenir tied to a feeling, not just a place.” V

The post A Memory You Can Wear appeared first on Stellenbosch Visio.

Anton Louw and Nico Hendriksz are the designers behind Kino, an award-winning Cape Town furniture studio known for minimalist, solid wood pieces crafted with precision and care.

School friends and alumni of Paul Roos Gymnasium in Stellenbosch, the pair went on to study industrial design before turning their shared passion for craftsmanship into a studio that celebrates refined form, natural materials and thoughtful detail.

The post The Artists’ Way: Kino Furniture appeared first on Stellenbosch Visio.

Thoughtfully reimagined, the Manor House and Jonkershuis offer an intimate Winelands retreat surrounded by gardens, lawns and vineyards.

Established in 1682, Blaauwklippen is South Africa’s oldest wine farm and the first registered company in the Cape Winelands. The Manor House and Jonkershuis were thoughtfully reconstructed and reopened earlier this year, reintroducing five-star accommodation to the estate. Guided by heritage architects and master craftsmen, original materials — including centuries-old bricks and fragments of Delft porcelain — were conserved and reinstated. Acclaimed designer Francois du Plessis created interiors that blend classic Cape Dutch elegance with a fresh, colourful touch inspired by the Stellenbosch Mountains.

The restored Manor House and Jonkershuis now offer 11 luxurious rooms and suites, once again welcoming travellers to the tree-lined avenue and courtyard that have served as a beacon of hospitality since the 1700s. Then. The estate that welcomed carriage travellers between Cape Town and Stellenbosch. Now. Faithfully rebuilt with the same dedication to excellence.

The accommodation ranges from refined Manor House rooms to spacious Jonkershuis luxury suites, all designed for slow, considered stays in a tranquil setting.

The post Blaauklippen’s Newly Opened Manor and Jonkershuis appeared first on Stellenbosch Visio.

A Designer’s Perspective

With a practice defined by restraint, nuance, and a finely attuned sense of balance, Cape Town–based interior designer Natalie Bulwer approaches bathrooms as deeply considered extensions of the home. Drawing on a background in fine art and luxury fashion, her work reveals a sensitivity to materiality, proportion, and the quiet power of detail.

In this conversation, Bulwer reflects on the art of designing from a blank slate, where architecture, texture, and light converge to shape atmosphere. From the interplay of surfaces and the discipline of editing, to the role of statement pieces, colour, and enduring materials, she offers a thoughtful perspective on crafting spaces that feel both intentional and restorative.

HOW DO YOU BEGIN DESIGNING A BATHROOM FROM A BLANK SLATE?

Every bathroom project needs to be viewed as part of the entire home. The architecture, whether classical or modern, must be considered from the outset. One of the primary concerns is whether the project is commercial or residential, as each requires different fixtures, fittings and layouts. I also decide fairly early on whether the bathroom will be a feature space with strong visual impact, or a continuation of the home’s overall aesthetic, something more cohesive and integrated.

WHAT ROLE DO SURFACES PLAY IN SETTING THE TONE OF A BATHROOM?

Surfaces play a significant role in defining the mood of a bathroom. I love creating layered textures that balance and complement each other, pairing shiny, reflective finishes with natural wood or textured wall treatments.

Countertops might include leather-finished stone or polished marble.

I often recommend starting with a key feature. If you have found a beautiful veined marble, for example, I would move the design forward from that focal point.

HOW DO YOU BALANCE TEXTURE WITHOUT OVERWHELMING A RELATIVELY SMALL SPACE?

There is currently a strong trend toward layering varied textures in bathrooms. While it can be exciting, it can also become visually overwhelming quite quickly.

I prefer using one dominant texture and pairing it with more subtle, understated finishes in the cabinetry and ceramic elements. This creates depth and interest without overwhelming the space.

DO YOU TYPICALLY DESIGN AROUND A HERO OR CENTREPIECE ITEM?

Yes, designing around a statement piece can be very effective. A bold wallpaper can act as a powerful centrepiece. Setting a minimal bathtub alongside this element creates a dramatic yet balanced space.

Alternatively, a copper-clad bath is an undeniable hero piece. In that case, the surrounding finishes could be understated so that it can be visually appreciated.

HOW DO YOU APPROACH COLOUR IN A BATHROOM SETTING?

At the moment, I am drawn to earth and spice tones in many of my interiors. These translate beautifully into bathrooms, particularly when paired with white basins, bathtubs and tiled shower enclosures. This contrast creates warmth while still maintaining a sense of freshness.

WHAT IS YOUR PHILOSOPHY ON LIGHTING A BATHROOM WELL?

Lighting is essential. I am really enjoying the wide variety of wall lights being used in bathrooms at the moment, they can be both practical and visually striking.

Mirrors with integrated lighting have also become very popular with my clients. Thoughtful lighting elevates the entire space and enhances both function and atmosphere.

HOW DO YOU ENSURE GOOD FLOW AND MOVEMENT WITHIN THE SPACE?

Ergonomics in bathrooms are just as important as in kitchens, yet they tend to be under-prioritised. The scale of the shower enclosure, for example, and the direction of door openings need to be carefully considered.

WHAT DEFINES A BATHROOM THAT FEELS CALM AND RESTORATIVE?

Scale and overall balance within the design are incredibly important. The proportions of vanities, mirrors, shower screens and tile layouts influence how calm a space feels. A thoughtfully designed bathroom supports daily rituals and creates a restorative environment

HOW DO ACCESSORIES FACTOR INTO YOUR BATHROOM DESIGNS?

Accessories should be considered at the very beginning of the design process. It is important to assess personal needs, as everyone has different priorities within the space. Correct placement is key to maintaining harmony and overall proportion.

WHAT DRAWS YOU TO CERTAIN CERAMICS OVER OTHERS?

I tend to gravitate toward classical finishes. White tiles, in their many iterations, are often underrated. I am also drawn to ceramics that offer coordinated trims and accessories, as these make detailing around shower enclosures and vanities seamless.

HOW DO YOU SELECT BATHROOM FITTINGS AND FIXTURES?

Fittings should feel like a natural extension of the architecture and overall bathroom design. I try not to overthink them, they should continue the language of the sanitary ware and feel cohesive within the space.

HOW IMPORTANT IS COHESION BETWEEN THE BATHROOM AND THE REST OF THE HOME?

A bathroom should never feel disconnected from the rest of the home. Even if it includes standalone strong visual elements, there should always be a design thread that runs through the entire home, whether through colour, materials, or the general aesthetic.

HOW DO YOU DESIGN BATHROOMS THAT WILL AGE GRACEFULLY?

I aim to create spaces with longevity. That often means exercising restraint in certain areas while allowing expression in others that can be easily updated, such as wall colour. I avoid overly specific trends and gravitate toward timeless layouts and materials. A bathroom can always be refreshed through styling and accessories.

WHAT COMMON MISTAKES DO YOU SEE IN BATHROOM DESIGN?

A common mistake is prioritising aesthetics over function. I often come across questionable bathroom lighting. Where possible, larger bathroom areas are always preferable. I would also advise against using too many materials and finishes. This can make the space feel cluttered rather than refined.

WHAT ULTIMATELY MAKES A BATHROOM FEEL TRULY LUXURIOUS?

Without doubt, a well-designed bathroom with ease of flow, beautiful lighting and a strong sense of intention creates true luxury. Good design and quiet confidence go hand in hand.

HOW DO YOU THOUGHTFULLY INCORPORATE PLANTS OR GREENERY INTO BATHROOM DESIGN?

In recent years, plants have been reconsidered within bathroom design. I am always mindful of sight lines when choosing larger plants, and I love the architectural quality that greenery brings to a space.

Plants soften surrounding hard surfaces and reconnect the bathroom to nature, enhancing its restorative quality.

Inspiration

Victorian Bathrooms is recognised as South Africa’s specialist supplier of luxury bathroom products in the classic style. 

Their products range from bathroom, kitchen, accessories to tiles and plumbing. Also look out for their bespoke baths and finishes.

The expert advice and willingness to assist that customers receive from the Victorian Bathrooms team, ensures that selecting bathroom ware is always a pleasurable experience.

Click here to get further design inspiration.

The post Intentional Bathroom Design appeared first on Stellenbosch Visio.

Progress to Date

The Tree Planting Project shares their progress to date and how to get involved  update on their initiative until the end of June.

Plein Street: 8 trees planted, another 4 trees scheduled for planting on 23 July. Three trees have been cut down, but because if active root systems, planting will move into 2027.The paving will be tidied up, wood chips will be spread beneath all the trees, and donor name plaques will be installed.

Church Street: Two trees have been planted and another 8 trees scheduled tob e planted 16-17 July. One tree (in front of Gavin Collins Gallery) will only be planted in 2027 due to an active root system. The paving will be tidied up, wood chips will be spread beneath all the trees, and donor name plaques will be installed.

Dorp Street: Five trees have been planted and a further 25 trees have been identified between Drostdy Street and the R44. These trees are at various stages of the approval process, including Heritage approval for removal and municipal wayleave approvals. We will see how much progress we can make with the replanting in Dorp Street this winter, depending on the approval processes, available funding, and the availability of the Municipality’s tree-planting team.

Andringa Street: One tree has been planted and another 3 trees have been approved for replanting. Planting date August 2026. The paving will be tidied up, wood chips will be spread beneath all the trees, and donor name plaques will be installed.

Ryneveld Street: One tree has been planted and another 3 trees have been approved for replanting. Planting date August 2026.

Bird Street: One tree has been identified for replanting, and we are currently working through the approval process.

Safeguarding Stellenbosch’s Living Heritage

Stellenbosch’s oak trees were planted at the request of Hendrik Adriaan van Reede under the direction of Simon van der Stel. But these English oaks (Quercus robur) are more than mere foliage. They are living monuments, some formally declared National Monuments, embodying the town’s rich cultural and historical heritage.

However, a serious threat now endangers this iconic landscape: the Polyphagous Shot Hole Borer (PSHB, Euwallacea fornicatus). This invasive beetle attacks large trees, particularly vulnerable English oaks, boring into the wood and introducing a harmful fungus that disrupts water transport, leading to decline and death. Many historic trees have already succumbed or are in the process of dying, prompting urgent action to protect Stellenbosch’s living heritage. Many historic trees have already succumbed or are in the process of dying, prompting urgent action to protect Stellenbosch’s living heritage.

The Tree Planting Project

In response, Stellenbosch Municipality, as custodian of this heritage, has launched the Tree Planting Project in partnership with concerned residents, Stellenbosch University scientists, and a dedicated project team. This initiative aims to combat the PSHB impact through protection, removal and strategic replanting.

Phase One focuses on the Historic Centre, with plans to expand town-wide as the infestation evolves.

Key objectives include:

• Enhancing resilience of remaining trees via better nutrition and care.
• Safely removing infected or dead trees following protocols from Heritage Western Cape and the Municipality.
• Replanting at least 30 new oak trees in 2026 (with ongoing efforts until control is achieved).
• Providing three years of dedicated maintenance for new plantings, including soil prep, watering, supports and BioBarrier root control systems.
• Encouraging community participation through donations and personalised name plaques on sponsored trees.

How the Project Works

Stellenbosch Municipality handles critical infrastructure:

• Identifying and obtaining approvals for tree removals.
• Pruning/felling infected trees and stump removal.
• Preparing planting pits, installing BioBarrier systems, support stakes and permeable paving.

The project team – Francé Beyers, Liesl van der Walt, Ernst Gouws (Stellenbosch Trail Fund NPC) and Siobhan Meyer – manages:

• Fundraising via the Stellenbosch Trail Fund NPC (with funds ring-fenced for the project).
• Sourcing healthy specimens (~3m tall, 200–500-litre containers).
• Coordinating plaques, supports and collaboration with the Municipality.

The process follows clear steps:

• Municipality identifies dead trees and secures approvals.
• Wayleave applications check for underground services.
• Dead trees removed and pits prepared.
• Project team procures and delivers 30–40 new trees — primarily resilient Turkish oak (Quercus cerris) and pin oak (Quercus palustris), which show greater resistance to PSHB.
• Installation of barriers, supports, paving and plaques.
• Municipality commits to three years of watering, pruning and feeding.
• Replacements provided if any transplants fail.

Each tree sponsorship costs R25,000, covering purchase, delivery, preparation, installation, plaque and potential replacement — ensuring long-term success.

Why It Matters

These oaks are living witnesses to Stellenbosch’s story: symbols of community, continuity and beauty. By supporting this project, residents and donors help preserve the town’s unique character for future generations.

Click here to become involved, donate through the Stellenbosch Trail Fund NPC or contact the project team for sponsorship details.

Together, we can ensure the historic centre’s tree-lined streets continue to inspire and endure.

The post Stellenbosch Tree Planting Project appeared first on Stellenbosch Visio.

This year, from 3-8 March 2026, Allée Bleue Wine Estate will host the event for the second time under the theme “A Kaleidoscope of Making”. More than 160 makers will be showcasing their creative works, offering visitors an inside look at how ideas evolve into finished products.

KAMERS/Makers has always been more than a marketplace. It’s a chance to connect directly with the people behind the products and to understand the story that goes into each creation. From handcrafted ceramics and textiles to innovative design objects, every purchase supports the vision and dedication of a maker.

Against the backdrop of the Winelands, with endless vineyards and mountain views, KAMERS/Makers combines shopping and inspiration in one accessible location – an opportunity to engage with South Africa’s creative community in a personal, hands-on way.

Whether you’re a design enthusiast or simply curious about the making process, KAMERS/Makers 2026 promises insight, discovery and a chance to celebrate the people shaping South Africa’s creative landscape.

The post KAMERS/Makers: A Kaleidoscope of Making in the Winelands appeared first on Stellenbosch Visio.

A Global Gathering of Artistic Voices

With 126 exhibitors from 34 cities and nearly 490 artists participating, ICTAF 2026 brings a diversity of contemporary work to Cape Town. Galleries from Barcelona, Paris, Lagos, Stockholm and beyond join South African mainstays like Stevenson Gallery, Goodman Gallery and SMAC Gallery – all showing how the city is becoming a vital site of global art exchange. 

Standout Artists and Presentations

While the full programme spans multiple sections, here are some highlights to watch out for:

• Johann Louw: As a painter and mixed-media artist whose work often explores materiality, abstraction and the interplay of form and texture, Johann’s bold, tactile canvases invites viewers to slow down and engage with the physicality of the canvas. Represented by SMAC Gallery.
• Frances Goodman: Represented by SMAC Gallery, Frances is known for her inventive use of beads, sequins and everyday materials. She creates sculptural works that play with notions of beauty, value, and societal expectation.
• Zanele Muholi: Celebrated internationally for their powerful explorations of identity and community through photography, Zanele’s work is featured through Southern Guild’s expansive presentation.
• Kaleab Abate: Represented by Afriart Gallery, Kaleab’s work explores urban life and identity through layered compositions. These consist of paintings of urban experience and memory in Ethiopia.
• Henry Mzili Mujunga: Henry’s art weaves memory and cultural narratives into engagement with place and history. Also represented by Afriart Gallery, his textured works offers an intergenerational and regional perspective aligned with this year’s “Listen” theme.

Beyond the Booths

Beyond the gallery booths, ICTAF 2026 debuts a dedicated Performance Project, showcasing multidisciplinary works that blur the lines between visual art, movement and sound. At the same time, the talks programme has been moved into a purpose-built auditorium within the exhibition hall, putting artist-led discussions and workshops front and centre. These initiatives ensure that the fair isn’t just a place to view art, but a space to reflect and actively participate.

Scale and Substance

As the largest art fair on the African continent, ICTAF continues to position Cape Town as a key player in the global cultural conversation. With Listen as its guiding thread, the 2026 edition promises not just scale, but substance. A space where contemporary art unfolds through dialogue, exchange and considered engagement.

Whether you’re an art lover, collector or just a curious visitor, this edition of the fair promises to be a space where listening becomes part of seeing.

The post Investec Cape Town Art Fair 2026: What to See appeared first on Stellenbosch Visio.

Born from a shared passion for excellence, this collaboration sees Porsche’s legendary design DNA reimagined through SMEG’s most loved appliances. From poolside pauses to wine-estate afternoons, every detail elevates the everyday.

Sleek silhouettes echo Porsche’s aerodynamic lines; matte metallic finishes and precision striping nod subtly to motorsport heritage. An aesthetic that moves seamlessly from architect-designed homes to sun-drenched outdoor living – refined, intentional, and unmistakably iconic.

Three distinct finishes honour Porsche’s most memorable tones:

Carrara White: crisp and confident, inspired by the purity of Carrara marble and the clean, sculptural lines found in modern European architecture.

Shade Green: bold contemporary allure, echoing Porsche’s heritage racing tones while bringing a fresh, modern edge to minimalist spaces.

Salzburg Red: infused with racing history and velocity, referencing the legendary 1970 Le Mans victory of the 917 KH Salzburg. Produced in individually numbered pieces, it stands as a striking limited edition collector’s finish. Its iconic number 23 detailing and bold striping capture the thrill of performance through a modern lens – a vivid centrepiece in any considered space.

Together, these finishes celebrate a legacy of performance through a new lens of functional design. Whether it’s the satisfying click of a kettle switch or a lingering pause over afternoon coffee, this is design that invites you to slow down and savour. It turns a refreshment into a ritual. A break into a memory. A moment into a mood.

Discover more smeg.com/za

The post The Quiet Luxury of Iconic Design appeared first on Stellenbosch Visio.